EPISTOLARY PROSE AS A LITERARY PHENOMENON

Zh. Kalizharova, K. Madibayeva
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Abstract

This article is devoted to the problem of genre evolution and poetics of Kazakh epistolary literature. The phenomenon called epistolary prose was generated by the transformation of writing as a speech genre into a kind of artistic narrative. Works in the form letters of provide an opportunity to fully realize the illusion, which is fundamentally important for literature as an art form, – to present a fictional statement as authentic. This specificity of epistolary literature should have guaranteed philologists' close attention to it. But at this time in literary studies there are many gaps in its study. For example, such a criterion as the scope of the meaning of the key concept of «epistolary prose». This concept often includes all works whose text is designed letters (a letter) of a character, regardless of whether a) the correspondence presented in it is fictional or the basis of the text of the work was real letters; b) whether the hero implements a communicative task in the messages (epistolaries) or other intentions dominate. To solve these problems, a real study was undertaken, the subject of which was the peculiarities of genre evolution and poetics of Kazakh epistolary prose. The study assumes a fairly wide range of practical application of the results obtained: in university and school teaching of Kazakh literature, reading theoretical courses – theory of literature and poetics, in special courses and seminars, when developing new directions in the study of modern prose.
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书信体散文作为一种文学现象
本文主要研究哈萨克书信体文学的体裁演变与诗学问题。书信体散文现象的产生是由于写作从一种言语体裁向一种艺术叙事的转变。信件形式的作品提供了一个充分实现幻觉的机会,这对文学作为一种艺术形式来说是至关重要的——将虚构的陈述呈现为真实。书信体文学的这种特殊性应该保证语言学家对它的密切关注。但在目前的文学研究中,对它的研究还存在许多空白。例如,这样一个标准的意义范围的关键概念是“书信体散文”。这一概念通常包括所有文本为人物设计的字母(字母)的作品,无论a)其中呈现的通信是虚构的还是作品文本的基础是真实的字母;B)主人公是在信息(书信体)中执行交际任务还是其他意图占主导地位。为了解决这些问题,本文对哈萨克书信体散文的体裁演变特点和诗学特征进行了研究。这项研究对所取得的成果进行了相当广泛的实际应用:在大学和学校的哈萨克文学教学中,在阅读理论课程-文学和诗学理论,在特殊课程和研讨会上,在现代散文研究中开辟新的方向时。
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