Anarchy in the UK

David Evans-Powell
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Abstract

This chapter will contextualise the film within the time of its production and release and consider how its themes and focuses are as much as product of their time as there are of the early 18th Century. This chapter will explore how the film mediates British seventies cultural anxieties around the counterculture and youth movements. It will consider how this cultural zeitgeist has affected the film’s nihilistic tone and ambiguous ending, as well as the depiction of the children and the authority characters in the film. This chapter will include a close analysis of the influence of two specific cases on the film’s development and that had been identified as especially influential by writer Robert Wynne-Simmons: the Tate-LaBianca murders and Mary Bell. The chapter will conclude with a consideration of the film as part of a revival of interests in British folk and vernacular heritage in the sixties and seventies.
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英国的无政府状态
本章将在电影制作和发行的时间内将电影置于背景下,并考虑其主题和焦点如何与他们的时代一样多,因为有18世纪初的产物。本章将探讨这部电影如何调解英国70年代围绕反主流文化和青年运动的文化焦虑。它将考虑这种文化时代精神是如何影响电影的虚无主义基调和模棱两可的结局,以及对儿童和电影中权威人物的描绘。本章将包括对电影发展的两个具体案例的影响的仔细分析,这两个案例被作家罗伯特·韦恩·西蒙斯认为是特别有影响力的:泰特-拉比安卡谋杀案和玛丽·贝尔。本章最后将考虑这部电影作为六七十年代英国民间和本土遗产复兴的一部分。
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