Digitization and Manuscripts as Visual Objects: Reflections from a Media Studies Perspective

L. Lied
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Abstract

At the time of writing this essay, libraries and collections worldwide are slowly, but steadily, in the process of digitizing their manuscript collections and making them available online.1 The Bibliothèque nationale de France in Paris, the Vatican Library in Rome, and the British Library in London have been in the process of digitizing their manuscript repositories for quite a while.2 In recent years, several other holders of large manuscript repositories have announced that they will digitize their collections, in whole or in part; among them the National Library of Greece in Athens.3 In addition to the growing digital repositories of major libraries and collections, a series of other online sites have also provided digital images and new tools for exploring manuscripts. Sites, such as E-ktobe, aim to provide digital images and searchable information for all Syriac manuscripts4 and the Hill Museum & Manuscript Library (HMML) has recently launched an online read-
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数字化与手稿作为视觉对象:媒介研究视角下的反思
在写这篇文章的时候,世界各地的图书馆和收藏馆正在缓慢但稳定地将他们的手稿馆藏数字化,并使它们在网上可用巴黎的法国国家图书馆、罗马的梵蒂冈图书馆和伦敦的大英图书馆对手稿库进行数字化已经有一段时间了近年来,其他几家大型手稿库的持有者已经宣布,他们将对全部或部分馆藏进行数字化;除了主要图书馆和馆藏日益增长的数字资源库之外,一系列其他在线网站也提供了数字图像和探索手稿的新工具。E-ktobe等网站旨在为所有叙利亚手稿提供数字图像和可搜索信息,希尔博物馆和手稿图书馆(hml)最近推出了在线阅读
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