Questions of Travel

Kimberly Johnson
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Abstract

The language here moves not across the fish, but across the processes by which attention and description interinform, the texture of the stripped skin evoking wallpaper which then prompts a recognition of the similarities between wallpaper and patterns in the fish’s scales. The lines narrate the realization of resemblance, a habit of mind that governs the poem’s unfolding: “He was speckled with barnacles,” Bishop reports, and then continues in a figural register, “fine rosettes of lime” (ll. 16-17). The roses in the wallpapery skin are elaborated into the matter that crusts the fish’s body, and then flower further beneath the surface:
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旅行问题
这里的语言不是在鱼身上移动,而是在注意力和描述相互作用的过程中移动,剥离的皮肤的纹理唤起了壁纸,然后促使人们认识到壁纸和鱼鳞图案之间的相似之处。这些诗句叙述了对相似性的认识,这是一种支配诗歌展开的思维习惯:“他身上有藤壶的斑点,”毕晓普报告说,然后以一种比喻的方式继续说,“美丽的石灰玫瑰花”(11月11日)。16 - 17)。墙纸皮上的玫瑰被精心制作成鱼身体的外壳,然后在水面下进一步开花:
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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George Herbert's Dialectic of Renunciation Herbert, Family, and the Choice of Plainness Metaphysical Shadows: The Persistence of Donne, Herbert, Vaughan, and Marvell in Contemporary Poetry by Sean H. McDowell (review) Questions of Travel George Herbert and the Queen of Bohemia
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