{"title":"‘Nothing is hidden under the sun’","authors":"Margaret Dalivalle, M. Kemp, R. B. Simon","doi":"10.1093/oso/9780198813835.003.0015","DOIUrl":null,"url":null,"abstract":"Chapter 14 surveys the return of royal goods to Charles II at the Restoration of the Crown in 1660 and identifies the Greenwich Salvator Mundi, disbursed and returned by Capt. John Stone in the royal inventory of c. 1666. The chapter reviews the individuals involved in the restitution and augmentation of the Royal Collection and identifies two inventories of the collection at the earliest state of assembly c. 1660–2. It identifies a previously unrecognized—and extensive—list of paintings reserved for the use of Oliver Cromwell. It considers the location and fate of the painting of Christ attributed to Leonardo that was disbursed to Edward Bass in December 1651. The chapter identifies, for the first time, documentation of the presence of the Windsor Volume in the collection of Charles II.","PeriodicalId":347013,"journal":{"name":"Leonardo's Salvator Mundi and the Collecting of Leonardo in the Stuart Courts","volume":"11 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Leonardo's Salvator Mundi and the Collecting of Leonardo in the Stuart Courts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780198813835.003.0015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Chapter 14 surveys the return of royal goods to Charles II at the Restoration of the Crown in 1660 and identifies the Greenwich Salvator Mundi, disbursed and returned by Capt. John Stone in the royal inventory of c. 1666. The chapter reviews the individuals involved in the restitution and augmentation of the Royal Collection and identifies two inventories of the collection at the earliest state of assembly c. 1660–2. It identifies a previously unrecognized—and extensive—list of paintings reserved for the use of Oliver Cromwell. It considers the location and fate of the painting of Christ attributed to Leonardo that was disbursed to Edward Bass in December 1651. The chapter identifies, for the first time, documentation of the presence of the Windsor Volume in the collection of Charles II.
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