Anthony Giddens and civilizational analysis: modernity between reflexivity and culture

R. Braslavskiy
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Abstract

Based on the critical reconstruction of the diagnosis of modernity by A. Giddens, the article traces the logic of the transition from the institutional to the civilizational approach in the sociological discourse of “modernity”. The analysis focuses on the problem of the relationship between culture and reflexivity. In Giddens’ theory of radical modernity, reflexivity is opposed to culture, which is identified with tradition. According to the theory of multiple modernities that are genetically related to the sociological paradigm of civilizational analysis, tradition and reflexivity are correlated as two aspects of culture characterized by aspirations, on the one hand, to the reproduction of interpretive foundations that set a general context of meaning, and, on the other, to trans-contextual breakthroughs that open up new horizons of meaning. Both tendencies are in irreparable tension between themselves and are mediated in the capacity of culture to rationalization, during which the self-articulation of culture turns into its self-problematization. The combination of rationality with reflexivity leads to cultural innovation and interpretative shifts and, at least, potentially to new cultural crystallizations, allowing higher levels of self-problematization (J. P. Arnason). In different cultural and historical patterns, the ability to rationalize receives an uneven and specific development. Modernity is a “distinct civilization” (S. N. Eisenstadt), in which the tendencies of culture towards self-articulation in conflicting directions and towards self-problematization reach a level unprecedented in human history, giving rise to multiple configurations of social life intertwined with relatively autonomous dynamics of power and wealth. Although Giddens did not make a “civilizational turn” in his work, his institutional analysis of modernity closed with his formulating the problem of conjugation of culture and power, which is key for the civilizational approach in sociology. However, the same problematic also marked the limit of understanding modernity in Giddens’ theory; he recognized the incomprehensibility of the social world in which reflexivity was institutionalized. His further path was a one of utopian modeling and political implementation of the future post-modern world, rather than a one of scientific analysis of modernity.
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安东尼·吉登斯与文明分析:反身性与文化之间的现代性
本文以吉登斯对现代性诊断的批判性重构为基础,追溯了社会学“现代性”话语从制度取向向文明取向转变的逻辑。分析的重点是文化与反身性的关系问题。在吉登斯的激进现代性理论中,反身性与文化相对立,而文化又与传统等同。根据与文明分析的社会学范式遗传相关的多重现代性理论,传统和反身性作为文化的两个方面相互关联,以愿望为特征,一方面是解释基础的再生产,设定了意义的一般语境,另一方面是跨语境的突破,开辟了意义的新视野。这两种倾向之间都处于不可挽回的紧张状态,并以文化的理性化能力为媒介,在理性化过程中,文化的自我表达变成了文化的自我问题化。理性与反身性的结合导致了文化创新和解释的转变,至少,潜在地导致了新的文化结晶,允许更高水平的自我问题化(J. P. Arnason)。在不同的文化和历史模式中,理性化的能力得到了不平衡和特定的发展。现代性是一种“独特的文明”(S. N. Eisenstadt),在这种文明中,文化在相互冲突的方向上的自我接合和自我问题化的趋势达到了人类历史上前所未有的水平,产生了与相对自主的权力和财富动态交织在一起的社会生活的多种形态。虽然吉登斯没有在他的著作中进行“文明转向”,但他对现代性的制度分析与他提出的文化与权力的结合问题密切相关,这是社会学中文明方法的关键。然而,同样的问题也标志着吉登斯理论对现代性理解的局限;他认识到反身性被制度化的社会世界的不可理解性。他的未来之路与其说是对现代性的科学分析,不如说是对未来后现代世界的乌托邦式建模和政治实现。
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