The Goths of Cervantes

Adrián J. Sáez
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Abstract

The present work aims to trace a panoramic view of the presence and function of Visigothic elements in Cervantes’ work. The article pays attention to appearances of Gothic characters and episodes in theatre (La Numancia), the Quijote and poetry, which is crucial to examine the evocation of Spain’s Gothic past in the Persiles (III, 8), a passage which is meant as a minichorography that replies to Toledo’s efforts to recover its symbolical power (political and religious), in a new area of conflict with Lope and Avellaneda.
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塞万提斯的哥特人
本文旨在对西哥特元素在塞万提斯作品中的存在和作用进行全面的考察。这篇文章关注的哥特人物的出现和戏剧(《努曼西亚》)中的情节,《吉诃德》和诗歌,这对于研究《佩尔西斯》(III, 8)中西班牙的哥特过去的唤起是至关重要的,这一段落是为了回应托莱多在与洛佩和阿韦亚内达冲突的新领域中恢复其象征力量(政治和宗教)的努力的缩影。
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