The Neuroscience of Children on the Autism Spectrum with Exceptional Musical Abilities

A. Ockelford
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Abstract

This chapter sets out a neuroscientific model to explain the exceptional musicianship that characterizes some children on the autism spectrum who have learning difficulties. The model builds on Gaver’s “ecological” interpretation of auditory processing using Ockelford’s “zygonic” theory. This attributes the perception of musical structure to the recognition of intentional repetition, and establishes a hierarchy of music-structural forms of differing complexity that are reflected ontogenetically in children’s musical understanding. The cognition of music is far less neurologically demanding than the processing of language, and is a developmental precursor. In some children on the autism spectrum, auditory development focuses on the perceptual qualities of sounds that in some cases leads to acquisition of “absolute pitch,” and a fascination for the repetitive patterns in sound. The children can process both language and everyday sounds as though they were music. This drives exceptional musical development, but at the cost of language and an appreciation of everyday sounds.
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具有特殊音乐能力的自闭症儿童的神经科学
本章提出了一个神经科学模型来解释一些有学习困难的自闭症儿童的特殊音乐天赋。该模型建立在加弗利用奥克尔福德的“合子”理论对听觉处理的“生态学”解释之上。这将音乐结构的感知归因于对有意重复的识别,并建立了不同复杂性的音乐结构形式的层次结构,这些结构形式反映在儿童的音乐理解中。与语言处理相比,音乐认知对神经系统的要求要低得多,而且是发展的前兆。在一些自闭症儿童中,听觉发展的重点是声音的感知品质,在某些情况下,这导致了“绝对音高”的获得,以及对声音重复模式的迷恋。孩子们可以像处理音乐一样处理语言和日常声音。这推动了非凡的音乐发展,但以语言和对日常声音的欣赏为代价。
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