Television as a Tool of Memory and Identity in Khaled Hosseini’s Novels

P. Meena
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Abstract

Globalization epitomizes the convergence of diverse cultures, economies, and communities on a worldwide scale, engendering the exchange of ideas, technology, inventions, and import and export services across nations and societies. Technology, as a pivotal agent, assumes a vital role in building bridges among the global economies by overcoming information disparities and thereby empowering people. Specifically, television, a very influential medium, assumes the function of capturing, collating, and disseminating personal and cultural memories. Its significance is especially pronounced in the context of Khaled Hosseini’s literary works, The Kite Runner and A Thousand Splendid Suns, where television’s role as a tool for constructing memories and shaping the identities of the characters is scrutinized. The ramifications of the Taliban’s television ban are examined in this paper, highlighting how this drastic measure has significantly impacted the nation’s culture.
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电视在胡塞尼小说中作为记忆和身份的工具
全球化体现了世界范围内不同文化、经济和社区的融合,促进了不同国家和社会之间的思想、技术、发明和进出口服务的交流。技术作为一个关键因素,通过克服信息差距,从而赋予人民权力,在全球经济之间建立桥梁方面发挥着至关重要的作用。具体来说,电视是一种非常有影响力的媒介,它承担了捕捉、整理和传播个人和文化记忆的功能。在卡勒德·侯赛尼的文学作品《追风筝的人》和《灿烂千阳》中,电视的重要性尤为突出,在这些作品中,电视作为构建记忆和塑造人物身份的工具的作用被仔细审视。本文考察了塔利班电视禁令的后果,强调了这一激烈措施对国家文化的重大影响。
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