Food culture and nostalgia in the Sannong video

Xiaolu Xu
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Abstract

This research reviews the rural nature of Chinese society and analyses the elements that engage viewers in the Sannong videos from this perspective. Urban dwellers, rural dwellers and rural migrants have all been greatly affected by the rapid urbanisation. The hukou system has led to a dichotomy between urban and rural China and a stigmatised image of peasants and the countryside. In this environment , people lost their sense of belonging and became nostalgic. For the first time since the spread of social media to rural dwellers and rural migrants, peasant groups have had the opportunity to reconstruct the image of peasants and the countryside as the protagonists of a narrative. In this study, 10 videos were selected from each of the two distinctive video accounts to compare and analyse their content. The common features of the two accounts can be considered as the reason for the popularity of the Sannong videos. In addition to the fact that a large number of viewers like the Sannong videos, this phenomenon may reflect the plight of urbanisation in China.
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三农视频中的饮食文化与乡愁
本研究回顾了中国社会的乡村本质,并从这个角度分析了三农录像吸引观众的因素。城市居民、农村居民和农民工都受到了快速城市化的巨大影响。户口制度导致了中国城市和农村的二分法,以及农民和农村的污名化形象。在这种环境下,人们失去了归属感,产生了怀旧情绪。自社交媒体传播到农村居民和农村移民以来,农民群体第一次有机会将农民和农村的形象重构为叙事的主角。在这项研究中,从两个不同的视频账户中各选择了10个视频来比较和分析它们的内容。这两个账号的共同特征可以被认为是三农视频受欢迎的原因。除了大量的观众喜欢三农视频,这种现象可能反映了中国城市化的困境。
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