Lost Future. Mykola Khvylovyi "Tram Letter"

Svitlana Кryvoruchko
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Abstract

Postcolonial landmarks of the early 21st century create the conditions for the revival and emergence of oppressed cultures, languages, and literatures in the recent past. These issues are especially acute during the war between Ukraine and Russia in 2022. The source should be sought in past historical conflicts, including the early 20th century. One of the powerful and talented artists who tried to revive, develop and rehabilitate the "Ukrainian" in the beginning 20-th century contrary to the official Russian system, there was a prominent Ukrainian writer Mykola Khvylovy (1893-1933), who literally gave his life for it. The scientific problem is to identify the aesthetic modernist dominants of Mykola Khvylovy's work. In addition to European principles, the formation of Ukrainian national identity at the language level traces in poetic works of art. The purpose is to study women's artistic images, consciousness and character of the heroine, conflicts between men and women, their attitude to family and child on the level of modernist principles in Mykola Khvylov's poetry "Tram Letter" in terms of poetic analysis. This reveals the ideas: the doom of person in the bloodshed and death of wars and revolutions; denial of humanity, love itself; Ukrainian national idea.
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失去了未来。尼古拉·赫维洛夫伊《电车信》
21世纪早期的后殖民主义标志为受压迫的文化、语言和文学的复兴和出现创造了条件。在2022年乌克兰和俄罗斯之间的战争期间,这些问题尤其尖锐。应该从过去的历史冲突中寻找根源,包括20世纪初。在20世纪初,与俄罗斯官方制度相反,有一位强大而有才华的艺术家试图复兴、发展和恢复“乌克兰”,其中一位是著名的乌克兰作家米科拉·赫维罗维(1893-1933),他实际上为此献出了生命。科学问题是要确定赫维罗维作品中美学现代主义的主导地位。除了欧洲原则之外,乌克兰民族认同在语言层面的形成在诗歌艺术作品中也有痕迹。本文旨在从诗歌分析的角度,研究赫维洛夫诗歌《电车信》中现代主义原则层面的女性艺术形象、女主人公的意识与性格、男女矛盾、对待家庭与孩子的态度。这揭示了这样一种思想:人在战争和革命的流血和死亡中灭亡;否定人性,爱本身;乌克兰的民族理念。
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