Attraverso la frode: la Commedia come conquista della verità della parola

Arianna Punzi
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Abstract

This article analyzes the structural relationship between falsehood and truth within Dante’s Comedy. The centrality of this relationship is also numerical: it recurs in all three parts of the work, and in each one of them it occupies the central section, with the ostensible purpose of placing Dante’s poetic voice at the very heart of everything, as a harbinger of truth.
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通过欺诈:喜剧征服了语言的真理
本文分析了但丁《喜剧》中真假的结构关系。这种关系的中心地位也是数字上的:它在作品的所有三个部分中反复出现,在每一个部分中都占据了中心部分,表面上的目的是把但丁的诗意的声音放在一切的核心,作为真理的先驱。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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