Bing Crosby’s Stardom and the Depiction of Legend in Paramount’s A Connecticut Yankee in King Arthur’s Court

M. Woller
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Abstract

This chapter discusses the 1949 film A Connecticut Yankee in King Arthur’s Court, starring Bing Crosby. This later film does not adapt the Rodgers and Hart musical; instead, it acts as a star vehicle for Crosby and features new songs by Jimmy Van Heusen and Johnny Burke. Less influential and enduring than the other works featured within this book, this 1949 film nonetheless provides an interesting counterpoint to the Rodgers and Hart revival of a few years before. The film was a commercial success, and this chapter considers it in that light. Furthermore, the author examines the role of Bing Crosby and considers the purpose of this musical film as a star vehicle. With Crosby singing in four of the five surviving songs within the film, the music utilizes the crooner’s voice and star persona in order to tell the story and sell the film.
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宾·克罗斯比的明星地位与派拉蒙电影《亚瑟王宫廷里的康涅狄格北方佬》中的传奇描写
本章讨论由宾·克罗斯比主演的1949年电影《亚瑟王宫廷里的康涅狄格北方佬》。这部后来的电影并没有改编罗杰斯和哈特的音乐剧;相反,它是克劳斯比的明星载体,并以吉米·范·休森和约翰尼·伯克的新歌为特色。这部1949年的电影没有本书中的其他作品那么有影响力和持久,但它与几年前罗杰斯和哈特的复兴形成了有趣的对比。这部电影在商业上取得了成功,本章从这个角度来考虑。此外,作者考察了宾·克罗斯比的角色,并认为这部歌舞片的目的是作为明星的载体。克罗斯比在电影中演唱了五首幸存歌曲中的四首,为了讲述故事和销售电影,音乐利用了克罗斯比的声音和明星形象。
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Prelude Notions of Place, Legend, and Broadway in Monty Python’s Spamalot Bing Crosby’s Stardom and the Depiction of Legend in Paramount’s A Connecticut Yankee in King Arthur’s Court Conclusion
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