Protest and Conflict in African Literature: The Nigerian Experience Expressed in Selected Plays by Zulu Sofola and Tess Onwueme

Eziechine Augustine Obiajulu
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Abstract

The prevailing social situation in a society at any given time determines the temperament of its literature. African literature of the post–independence period is generally reactive in temperament. This emergent trend in African literature is as a result of the prevailing economic, social and political situations in most African nations. In Nigerian society, for instance, there is inequality, injustice, unemployment, hunger, marginalization, environmental degradation, corruption, political instability, socio-economic ills and religious violence. Obviously, these suffocating experiences are bound to generate protests and conflicts arising from people who are dissatisfied. Drama and prose have been mostly deployed to confront these unjust and inhuman situations. However, this paper focuses mainly on the selected plays authored by Zulu Sofola and Tess Onwueme. The study is basically a survey of Zulu Sofola and Tess Onwueme’s selected plays which explore the thematic concern of this paper. Content analysis of the plays reveals that protest can be used to resist and protest all oppressive structures in society.
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非洲文学中的抗议与冲突:祖鲁·索福拉和苔丝·翁乌梅戏剧选集中所表达的尼日利亚经验
一个社会在任何时期的主流社会状况决定了这个社会文学的气质。后独立时期的非洲文学在气质上总体上是反动的。非洲文学的这种新兴趋势是大多数非洲国家普遍存在的经济、社会和政治局势的结果。例如,尼日利亚社会存在着不平等、不公正、失业、饥饿、边缘化、环境退化、腐败、政治不稳定、社会经济弊病和宗教暴力。显然,这些令人窒息的经历必然会引起不满的人们的抗议和冲突。戏剧和散文大多被用来面对这些不公正和不人道的情况。然而,本文主要关注的是祖鲁·索福拉和苔丝·翁乌梅创作的剧本选集。本研究基本上是对祖鲁·索福拉和苔丝·翁乌梅的选集进行考察,以探讨本文所关注的主题。对这些戏剧的内容分析表明,抗议可以用来抵抗和抗议社会上所有的压迫结构。
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