Site-specific Art and 3D: an Example of Spatial Analysis and Reconstruction

M. Dellepiane, M. Matteis
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Abstract

Site-specific art is a concept that goes back to the beginning of human race: the works of art were often created by artists taking into account not only their shape and appearance, but also the context in which they would be put. For this reason, moving the artifacts from its original placement (or the changes which happen around it) tend to decrease its impact, and possibly weaken its potentials. Site-specific art is a very powerful concept also for contemporary artists. This paper focuses on the analysis of L.O.V.E., a sculpture from the controversial artist Maurizio Cattelan. Cattelan donated the sculpture to Milano, under the condition that it should not be moved from its original place (in front of Milano Stock Exchange). The aim of the paper is to use 3D reconstruction techniques to show and analyse the monument, stressing its relation with the context around it. A multi-view stereo matching campaign was perfomed to have an accurate reconstruction of the context, then the photos provided by the community were integrated in the reconstruction to show the "point of view" of the people. These data provide interesting indications about the aims of the authors, and they provide additional material for the interpretation of the work of art.
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特定场地艺术和3D:空间分析和重建的一个例子
特定场所艺术是一个可以追溯到人类起源的概念:艺术家在创作艺术作品时,往往不仅要考虑它们的形状和外观,还要考虑它们所处的环境。出于这个原因,将工件从其原始位置(或其周围发生的变化)移动往往会降低其影响,并可能削弱其潜力。对当代艺术家来说,特定场所艺术也是一个非常强大的概念。本文主要分析备受争议的艺术家Maurizio Cattelan的雕塑作品《l.o.v.e.》。卡特兰将雕塑捐赠给了米兰,条件是不能将其从原址(米兰证券交易所前)移走。本文的目的是使用3D重建技术来展示和分析纪念碑,强调它与周围环境的关系。通过多视角立体匹配运动,准确重建语境,然后将社区提供的照片整合到重建中,展现人物的“视角”。这些数据为作者的目的提供了有趣的指示,并为艺术作品的解释提供了额外的材料。
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