Korngold and Jewish Identity in Concert

L. Hirsch
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Abstract

This chapter navigates Erich Korngold's connections to Jewishness. It also examines the role played by external factors in the political context of his career and the impact of both on his music and musical activities. It highlights in particular a little-known correspondence with musicologist Anneliese Landau, who, in 1942, asked him directly: “How is your approach to the question of a Jewish style in music?” In so doing, the chapter seeks to convey an understanding of Korngold's relationship to Jewish music and his Jewish identity with the nuance that this complex and sometimes contentious issue deserves. It is guided by four pertinent questions, on the matter of Judaism and Jewish culture, on how others regard Korngold's work as Jewish, on how Korngold regards his work as Jewish, and finally, on how the investigator regards his work as Jewish.
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科恩戈尔德与犹太人的身份认同
本章阐述了埃里希·科恩戈尔德与犹太人的关系。它还考察了外部因素在他职业生涯的政治背景下所起的作用,以及对他的音乐和音乐活动的影响。这本书特别强调了他与音乐学家安内利塞·朗道(Anneliese Landau)的一封鲜为人知的通信,后者在1942年直接问他:“你是如何看待犹太音乐风格的问题的?”在这样做的过程中,本章试图传达对科恩戈尔德与犹太音乐的关系以及他的犹太身份的理解,这一复杂而有时颇具争议的问题理应得到细微差别。它以四个相关问题为指导,关于犹太教和犹太文化,关于其他人如何看待科恩戈尔德的作品是犹太的,关于科恩戈尔德如何看待他的作品是犹太的,最后,关于研究者如何看待他的作品是犹太的。
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