Transcendentalism and Skepticism in Arun Kolatkar's Select Poems

Shubham Yadav
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Abstract

Arun Kolatkar belongs to the canon of  modern Indian poetry writing in English. He is the only well acclaimed Indian poet other than Kabir to be represented on the World Classics tittle of New York Review of Books. Kolatkar is well versed in both the Language Marathi and English. His poem Jejuri is a collection of thirty-one poem which traces humour in everydays matters. For Jejuri, Kolatkar earned the Common Wealth Poetry prize in 1976. The poem Jejuri presents Kolatkar's view on spirituality, religious experience and imagination. The poems  of Kolatkar ironically present the natural imagery which in a way satirizes the society and its superstitious belief. Kolatkar highlights the pitful situation of modern man who has been entangled between the materialistic world and unable to find a peace of heart, mind and soul within himself. This paper critically analyses the three select poems of Arun Kolatkar- the Bus, the Priest, an Old Woman. All these poems highlights the surrealistic image and also focus on the individualistic approach. Kolatkar transforms his experiences into his works which presents the idea of individualism. Kolatkar presents the individualistic aspect in the poem through the protagonist Manohar who is not a hollow man of Eliot's The Waste Land but a modern educated and rational man, can be seen connected to the transcendentalist philosophy of Ralph Waldo Emerson. Thus, the paper tends to mark the transcendentalist perspective in the Kolatkar's poetry and also traces skepticism in his poetry.
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《阿伦·柯拉特卡诗选》中的先验主义与怀疑主义
Arun Kolatkar是印度现代英语诗歌创作的典范。他是除卡比尔之外唯一一位在《纽约书评》世界经典榜上获得好评的印度诗人。Kolatkar精通马拉地语和英语。他的诗《Jejuri》收录了31首诗,讲述了日常生活中的幽默。1976年,科拉特卡尔凭借《Jejuri》获得了英联邦诗歌奖。这首诗展现了柯拉特卡对灵性、宗教体验和想象的看法。柯拉特卡尔的诗歌以讽刺的方式呈现自然意象,在某种程度上讽刺了社会及其迷信。Kolatkar强调了现代人的悲惨处境,他被物质世界纠缠在一起,无法找到内心、思想和灵魂的平静。本文批判性地分析了阿伦·柯拉特卡的三首精选诗——《巴士》、《牧师》和《老妇人》。这些诗歌都突出了超现实主义的形象,同时也注重个人主义的手法。柯拉特卡将自己的经历转化为作品,呈现出个人主义的思想。Kolatkar通过主人公Manohar在诗中表现了个人主义的一面,Manohar不是艾略特《荒原》中的空洞人,而是一个受过现代教育和理性的人,可以看出他与拉尔夫·沃尔多·爱默生的先验主义哲学有关。因此,本文倾向于在科拉特卡尔的诗歌中标记先验主义的视角,并对其诗歌中的怀疑主义进行追溯。
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