Adaptation and Appropriation in Aimé Césaire's a Tempest

Raad Kareem Abd-Aun, Qaiser Munir Diab
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引用次数: 2

Abstract

Aimé Césaire’s A Tempest is one of the earliest adaptations of a Western canonical work. It is an adaptation of Shakespeare’s The Tempest. Césaire’s play conveys his anti-colonist ideas, exploring the relationship between Prospero, the colonizer, and his colonial subjects, Caliban and Ariel, from the perspective of the colonized. Comparing the characterization and the colonizer/colonized relationship in the two plays, this paper attempts to illustrate how Césaire uses Shakespeare's text to address the ills of colonialism and turn the tables on the colonizer using one of the masterpieces of the western canon. It also attempts to show how Césaire uses the mechanics of adaptation and appropriation to achieve his goals.
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《暴风雨》中的改编与挪用
艾姆斯•卡萨伊的《暴风雨》是最早改编自西方经典作品的作品之一。这是根据莎士比亚的《暴风雨》改编的。csamsaire的戏剧表达了他的反殖民主义思想,从被殖民者的角度探讨了普洛斯彼罗与他的殖民地臣民Caliban和Ariel之间的关系。通过比较这两部戏剧中的人物塑造和殖民者/被殖民者的关系,本文试图说明csamsaire如何利用莎士比亚的文本来解决殖民主义的弊病,并利用西方经典名著之一来扭转殖民者的局势。它还试图展示csamsaire如何使用适应和挪用的机制来实现他的目标。
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