Modern Reuse

Robert K. Huber
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Abstract

The essay is part of an ongoing research work about the heritage of modernism, especially the relationship between material, information and message — projected on the genesis of values and a cultural practice of modern reuse, not least on our present legacy and an upcoming circular society. It examines narratives and developments of modernism, concerning the built environment and industry production, to question modern general principles, systems of values and socio-cultural interrelations. The examination is experimentally grounded on projects both in experimental architecture and discourse, which operate across research, practice and conceptual art — referring to the Bestandsverpflanzung (2008) and the current work with Bauhaus reuse from 2019.
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现代的重用
这篇文章是一项正在进行的关于现代主义遗产的研究工作的一部分,特别是材料、信息和信息之间的关系——预测了价值的起源和现代再利用的文化实践,尤其是我们现在的遗产和即将到来的循环社会。它考察了现代主义的叙事和发展,涉及建筑环境和工业生产,质疑现代的一般原则,价值体系和社会文化的相互关系。本次考试以实验建筑和话语的实验项目为基础,这些项目涉及研究、实践和概念艺术——参考了《best sverpflanzung》(2008年)和2019年包豪斯再利用的当前作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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David Chipperfield 100 years back, 100 years forward Teaching the Laboratory of the Techniques and Preservation of Modern Architecture (TSAM) at the École Polytechnique Fédéral de Lausanne Walter Gropius and Operative History: an Architectural Palimpsest Modern Reuse
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