Louise Althusser’ S Theory of Interpellation in the Merchant of Venice

M. Sadiq, Muhammad Jahangir Shafi
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Abstract

The research is a qualitative textual analysis of Shakespeare’s tragedy, disguised as the comedy. The Merchant of Venice, through Louis Althusser’s theory of Interpellation. Althusser defines ideology as a system of representation through discourse and language which control our existence. So, this research paper aims to analyze the play’s language associated with the character’s power, identity, and ideology. Moreover, this research also highlights how the play The Merchant of Venice depicts the relationship between Christians and Jews and their unyielding disdain for each other’s cultures. In addition, it reflects Venetian’ society’s psyche through Shylock. Also, it gives an account of a society filled with capitalism and its anxieties, class stratification, religious extremism, hypocrisy, racism, homophobia, and human alienation. Althusser argues that self-consciousness is painted through “contrast differentiation,” and language is a way to create ideology and its fixation. Meanwhile, ideology is unable to function beyond language, which is called Interpellation. Althusser also substantiates that individual and collective human behaviors rise through the underlying structures of society as reflected through Christian’s ingrained prejudices against Jews and Jew’s behavior by absurd stereotypes. Althusser also addresses that material actions are incorporated through quantifiable practices governed by material ideological apparatus. Further, he elaborates that an individual has no intrinsic signification; instead, he is merely a subject in social divisions designated by hierarchical ideology, as Shylock is treated as “other” under the preeminent doctrine of Christianity. Furthermore, he sheds light on the hegemony of powerful discourse through which superiors keep subservient to the level of conformity and dehumanization. Thus, by depicting the ideology of societal conditioning and reinforcement, capitalism, colonialism, racism, anti-Semitism, and patriarchy, this paper delves deep into Althusser’s “Repressive or Ideological State Apparatuses and its functions both by violence and ideology highlighted in The Merchant of Venice.
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阿尔都塞在《威尼斯商人》中的质询理论
本研究是对莎翁伪装成喜剧的悲剧进行定性的文本分析。《威尼斯商人》通过路易·阿尔都塞的质询理论。阿尔都塞将意识形态定义为一种通过话语和语言控制我们存在的表征系统。因此,本研究论文旨在分析剧中与角色的权力、身份和意识形态相关的语言。此外,本研究还强调了戏剧《威尼斯商人》如何描述基督徒和犹太人之间的关系以及他们对彼此文化的不屈蔑视。此外,它还通过夏洛克反映了威尼斯社会的心理。此外,它还描述了一个充满资本主义及其焦虑、阶级分层、宗教极端主义、虚伪、种族主义、同性恋恐惧症和人类异化的社会。阿尔都塞认为,自我意识是通过“对比分化”来描绘的,语言是创造意识形态及其固定的一种方式。同时,意识形态无法超越语言发挥作用,这就是所谓的质询。阿尔都塞还证实,个人和集体的人类行为是通过社会的底层结构上升的,这反映在基督徒对犹太人根深蒂固的偏见和犹太人荒谬的刻板印象的行为上。阿尔都塞还指出,物质行为是通过由物质意识形态机器控制的可量化实践结合起来的。进一步,他阐述了个体没有内在意义;相反,他只是等级意识形态指定的社会划分中的一个主体,就像夏洛克在基督教的卓越教义下被视为“他者”一样。此外,他还揭示了强大话语的霸权,通过这种霸权,上级服从于顺从和非人性化的水平。因此,通过描绘社会条件和强化、资本主义、殖民主义、种族主义、反犹太主义和父权制的意识形态,本文深入探讨了阿尔都塞的“镇压或意识形态国家机器”及其在《威尼斯商人》中突出的暴力和意识形态功能。
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