Employing Religious Concepts to Address the Political Situation Post-9/11: The Three Burials of Melquiades Estrada (2005)

John White
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Abstract

This chapter considers The Three Burials of Melquiades Estrada (2005) in relation to its use of the key Christian concepts of forgiveness of sins and redemption. The central focus of Three Burials is seen as being its recourse to Christian ideas, not only in relation to eternal spiritual questions regarding the relationship of human beings to an all-powerful deity but also in relation to the contemporary historical/political moment. This chapter considers two types of detachment from the world: one in which the individual lives their life in a state of indifference and the other in which the individual exists within a space of thoughtful contemplation. The film moves away from the more normal Hollywood consideration of the world as a space for the contest between good and evil to encourage viewers to question the way in which the Mexican ‘Other’ is (and, by extension, all ‘Others’ are) viewed within the U.S. and represented within the media. Ultimately, however, it is argued the film neglects to consider the economics that underpins the contemporary political situation.
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用宗教观念处理911事件后的政治局势:梅尔加德斯·埃斯特拉达的三场葬礼(2005)
本章考虑《梅尔加德斯·埃斯特拉达的三次葬礼》(2005)对基督教宽恕和救赎的关键概念的运用。《三葬》的中心焦点被认为是它对基督教思想的求助,不仅涉及到关于人类与全能神的关系的永恒精神问题,而且还涉及到当代历史/政治时刻。这一章考虑了两种脱离世界的方式:一种是个人在冷漠的状态中生活,另一种是个人存在于深思熟虑的沉思空间中。这部电影不再像好莱坞那样将世界视为一个正义与邪恶较量的空间,而是鼓励观众质疑墨西哥“他者”(以及所有“他者”)在美国国内被看待和在媒体中被呈现的方式。然而,最终,有人认为这部电影忽视了支撑当代政治局势的经济学。
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