Le sans d'être

Werner Hamacher, Heidi Hart
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引用次数: 1

Abstract

Abstract:This essay explores the unintended consequences and complications of Derrida's différance through his own language and that of Heidegger, with additional reflection on the trace and its effacement. Self-revocation and forgottenness occur at the crux of any effort to articulate Being, in the very language of this effort, as a "prose-ontological ellipsis." Only in the margins of utterance, in the wandering from or skewing of the bindings imposed by language on thought (enacted in Derrida's own double-columned work Glas, which opens spaces between Genet and Hegel), can transcendence occur, and then only through dissemination. This performative text illuminates the ontological lacunae in language through repetition, refraction, and provisional formulae that inevitably break down in the act of reflection on negation.
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摘要:本文探讨了德里达通过自己的语言和海德格尔的语言差异所带来的意想不到的后果和复杂性,并对其痕迹及其抹去进行了额外的反思。自我撤销和遗忘发生在任何努力阐明存在的关键,在这种努力的语言中,作为“散文-本体论的省略”。只有在话语的边缘,在语言对思想施加的束缚的游离或扭曲中(德里达自己的双柱作品《玻璃》(glass)中体现了这一点,它打开了热内和黑格尔之间的空间),才能发生超越,然后只有通过传播。这种表演文本通过重复、折射和临时公式来阐明语言中的本体论空白,这些公式不可避免地在对否定的反思行为中被打破。
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