Disappearance of the Author: A Foucauldian Study of Luigi Pirandello’s Six Characters in Search of an Author

Nazneen Zahra, Dr. Behzad Anwar, Shamshad Rasool
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Abstract

Pirandello's Six Characters in Search of an Author was an innovative juncture in theatre with its avant-garde dramatic devices. Pirandello has presented the idea of the relation between the author and his creation and highlighted the disappearance of the subject in the narrative. The present study employs Foucault's idea of the author function in the play to explore the effort of the characters to present their narrative while the author has disappeared. The unexpected entry of six self-conscious characters illustrates and emphasizes the creative process and the continuity of the artistic works. The study finds that Pirandello has skillfully handled the theatricality resulting in a novel perspective of the theatre and shed light on the freedom of the characters that symbolizes the text, and drafted their story as they like. It, further, pinpoints their quest and success in mastering authority over their discourse in the absence of their creator.
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作者的消失:路易吉·皮兰德罗《寻找作者的六个人物》的福柯式研究
皮兰德娄的《六个寻找作者的人物》以其前卫的戏剧手法,在戏剧史上是一个创新的转折点。皮兰德娄提出了作者与其创作之间的关系,并强调了叙事中主体的消失。本研究运用福柯关于作者在戏剧中的作用的观点,来探讨在作者消失的情况下,人物如何努力呈现他们的叙述。六个自我意识人物的意外进入说明并强调了艺术作品的创作过程和连续性。研究发现,皮兰德娄巧妙地处理了戏剧的戏剧性,从而形成了一种新颖的戏剧视角,揭示了象征文本的人物的自由,并按照他们的喜好起草了他们的故事。它进一步指出,在创造者缺席的情况下,他们在掌握话语权威方面的追求和成功。
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