The Possibility of Self-Use of a Co-author without Consent of the Other Co-authors

Junseok Park
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Abstract

Despite the some positive aspect of the 2014 Korean Supreme Court ruling on the chinjeong-eomma (the married woman’s mother) case (hereinafter “chinjeong-eomma decision”) that more clearly defined the requirement of joint works, the chinjeong-eomma decision has already been heavily criticized by many Korean scholars for its misinterpretation of Article 48 of the Korean Copyright Act which directly did conflict with a clear phrase stipulating that all copyrights can be exercised only with unanimous agreement among co-authors. The reason why this article belatedly criticizes the above decision is that the following additional important flaws is found in the respective logic of the judgments by the lower courts in the chinjeong-eomma case and the case review report by a senior judicial researcher in the Supreme Court involved in chinjeong-eomma decision, among the issues also dealt with by chinjeong-eomma decision, particularly on whether self-use by a co-author without consent of the other co-authors (hereinafter ‘free use’) would be infringement on copyright of the other co-authors. First, it was too hasty to conclude that the relationship of co-authors was not joint-tenancy under the Korean Civil Act, but joint-in-common under the same Act, so it was treated as if one co-author was a tenant in common under the Civil Act. Second, in terms of whether to recognize the free use of joint works, it was treated as a majority vote in line with the fact that other Korean IP laws, such as the Patent Act, have already acknowledged the free use of a co-owner. Third, the non-rivalrous (non-excludable) nature of copyright and the natural phenomenon of relatively low utilization of joint works due to the some refusal of consent from other right holders were improperly used as grounds for recognizing free use. Fourth, above all, by overlooking the main characteristic of copyright as a “bundle of rights”, it was not understood that there was no room for raising so-called a free use defense against the facts of this criminal case in the first place in terms of performance rights, not reproduction rights, etc. To prevent this kind of mistake being repeated in another case, a clear awareness of the above characteristic is needed at the starting line of reviewing any copyright cases. Fifth, more reasonable alternatives were not taken, such as actively expanding and adopting the good faith standard of Article 48 already designed by the legislator, acknowledging implied consent, and strictly acknowledging criminal intent.
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未经其他合著者同意,自行使用合著者的可能性
2014年大法院对“已婚妇女的母亲”案(以下简称“母亲案”)的判决,明确规定了共同作品的要求,虽然有积极的一面,“钦定-严玛案”的判决,因为对著作权法第48条的错误解释,与“所有著作权只有在共同作者一致同意的情况下才能行使”的明确规定发生了直接的冲突,受到了很多国内学者的批评。本文之所以姗姗来迟地批评上述判决,是因为在审判中涉及的案件中,下级法院的判决和大法院高级司法研究员的案件审查报告各自的逻辑中,发现了以下重要的缺陷:特别是在未经其他共同作者同意的情况下自行使用(以下简称“自由使用”)是否会侵犯其他共同作者的版权。首先,根据《韩国民法》,共同作者的关系不属于联租关系,而是同一法律下的共同共有关系,这是过于草率的结论,因此将共同作者视为《民法》下的共同共有人。第二,对于是否承认共同作品的自由使用,根据《专利法》等韩国知识产权法已经承认共同所有人的自由使用的事实,以多数表决的方式处理。第三,著作权的非竞争性(非排他性)以及由于拒绝其他权利人的同意而导致的对合作作品的利用率相对较低的自然现象被不当地用作承认自由使用的理由。第四,最重要的是,由于忽视了版权作为“一束权利”的主要特征,没有人理解,在本案的事实中,首先就表演权而不是复制权而言,没有提出所谓自由使用抗辩的余地。为了防止这种错误在其他案件中再次发生,在审查任何版权案件时,都需要清楚地认识到上述特征。五是没有采取更合理的替代措施,如积极扩展和采用立法者已经设计好的第四十八条的善意标准、承认默示同意、严格承认犯罪故意等。
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