Spiritual Pizzica: A Southern Italian Perspective on Contemporary Paganism

G. Parmigiani
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引用次数: 1

Abstract

In this article, the result of an ongoing ethnographic fieldwork among a contemporary Pagan group in the Salento area of Italy, I research the peculiar expression of contemporary Pagan spiritualities centered on the interpretation of a “traditional” local dance called pizzica. I focus on the specific way of understanding and living time and temporality among this group that happens through the performance of this dance. In particular, by presenting the particular historicity—i.e. the way in which time and temporality are understood and experienced—of the Salentine group I studied that I refer to as “expanded present” or “presence,” I argue for a re-articulation of the relationships between contemporary Paganism and “history,” “tradition,” and the “reconstructionist/eclectic” spectrum in understanding contemporary Paganisms.
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精神上的比萨饼:意大利南部对当代异教的看法
在这篇文章中,我对意大利萨伦托地区的当代异教群体进行了一项正在进行的民族志田野调查,研究了当代异教精神的特殊表达,主要集中在对一种名为pizzica的“传统”当地舞蹈的解释上。我关注的是通过舞蹈的表演,这一群体对时间和时间性的具体理解和生活方式。特别是,通过呈现特定的历史,即。时间和时间性被理解和体验的方式——在我研究的萨伦汀群体中,我称之为“扩展的现在”或“在场”,我主张重新阐明当代异教与“历史”、“传统”以及理解当代异教的“重建主义/折衷主义”光谱之间的关系。
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