The Supernatural Woman and Wartime Female Agency in The Foreshadowing (2006)

Anindita Larasati, D. Hapsarani
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Abstract

—Female characters in patriarchal settings must often navigate through society using their own agency. One form of power with which they are sometimes endowed is supernatural power. The Foreshadowing (2006) is a children’s novel set in England and France during World War I. Unlike most war-themed children’s literature, the main character is a teenage girl named Alexandra. This novel is also notable for its use of supernatural power as a source of agency. Using a theory on gender hegemony proposed by Schippers [1] and another on female agency proposed by Trites [2], this study examines Alexandra, her father, her mother, Tom, and Jack. We show that the novel is ambivalent in its portrayal of supernatural power in relation to female agency. On one hand, the novel demonstrates that supernatural power is a powerful tool that threatens the patriarchal system represented through the father. With the help of her supernatural power, Alexandra uses her agency to overcome the boundaries placed on her by the gender roles of that era. On the other hand, the novel itself is still limited by the era’s gender roles because it allows no possibility for the female character to take an active part in the war.
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《伏笔》(2006)中的超自然女性和战时女性机构
-父权背景下的女性角色必须经常使用自己的代理在社会中导航。他们有时被赋予的一种力量是超自然的力量。《伏笔》(2006)是一部以第一次世界大战期间的英国和法国为背景的儿童小说。与大多数以战争为主题的儿童文学不同,小说的主角是一个名叫亚历山德拉的少女。这部小说还以使用超自然力量作为代理来源而闻名。本研究采用Schippers[1]的性别霸权理论和Trites[2]的女性代理理论,考察Alexandra、她的父亲、母亲、Tom和Jack。我们表明,小说是矛盾的,在其描绘的超自然力量与女性代理。一方面,小说展示了超自然力量是一种强大的工具,威胁着以父亲为代表的父权制度。在她的超自然力量的帮助下,亚历山德拉用她的代理克服了那个时代性别角色给她设置的界限。另一方面,小说本身仍然受到时代性别角色的限制,因为它不允许女性角色积极参与战争。
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