Resisting Action

Julie Vulcan
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Abstract

Initially I stood at a threshold peering into a place of momentous ending. I shook my head. Gundungurra country needs to burn, I imagine its people say across time, just not like this. There is a requirement for care-full in/action when living with and on a post-fire terrain while still in trauma. It is a difficult balancing act for humans who like to fix things. Beyond the domestic clean-up of burnt buildings and infrastructure, my teachers await my attention. They are not of the human kind, rather they are the critters that perch in branches or skitter under rock. They are the soil movers, the crevice crouchers and the mark makers. They are the stirring plants and the underground tendrils of fungal hyphae. They send slow signals and resist tidy aesthetics. They challenge the perception of “dead” and question short-term human economies of usefulness. Ultimately, they remind me that home is made up of many intersecting homes weaving, twisting and turning in a constant process of becoming.
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起初,我站在一个门槛上,凝视着一个有着重大结局的地方。我摇了摇头。Gundungurra国家需要燃烧,我想它的人民会说,但不是这样。当生活在火灾后的地形上时,仍然处于创伤状态,需要谨慎的行动。对于喜欢修理东西的人来说,这是一项艰难的平衡。除了清理被烧毁的建筑和基础设施,我的老师们也在等着我。它们不是人类,而是栖息在树枝上或岩石下的动物。他们是挖土者,裂缝制造者和标记制造者。它们是搅拌植物和真菌菌丝的地下卷须。它们发出缓慢的信号,抵制整洁的美学。他们挑战“死亡”的观念,质疑短期人类经济的有用性。最终,它们提醒我,家是由许多相互交织的家组成的,在一个不断形成的过程中编织、扭曲和转动。
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