Slaves of the Depression

Nina Silber
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Abstract

The language of slavery reverberated over the course of the Depression, with many Americans describing their working and living conditions in these years as something akin to slavery. Yet the language of “white enslavement” assumed particular power in these years, especially for the way it spoke to the immediate and unexpected economic crisis experienced by white Americans. In contrast, black enslavement seemed quaint and far less troubling. This pattern was apparent in the dramas put on by the Federal Theatre, the interviews conducted by writers in the WPA with former slaves, and in Hollywood films like I Am a Fugitive from a Chain Gang; Judge Priest; and the Prisoner of Shark Island.
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大萧条时期的奴隶
奴隶制的语言在大萧条期间回响,许多美国人描述他们这些年的工作和生活条件类似于奴隶制。然而,“白人奴役”这一语言在这些年里具有了特别的影响力,尤其是它对美国白人所经历的直接和意想不到的经济危机的描述方式。相比之下,黑人奴隶制度显得古怪,麻烦也少得多。这种模式在联邦剧院上演的戏剧中很明显,在WPA作家对前奴隶的采访中,在好莱坞电影中,如我是一个从锁链帮逃跑的逃犯;法官牧师;还有鲨鱼岛的囚徒。
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The Civil War at the Dawn of the Great Depression Look Away! Dixie’s Landed! You Must Remember This Stories Retold, Memories Remade Slaves of the Depression
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