Examining The book: How perception, power, and practice altered memory of Irish Ceili dances

Helen Buck-Pavlick
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引用次数: 1

Abstract

This paper is an ethnographic examination and exploration of the power politics of the Ar Rinci Foirne and the subsequent changes in perceived nationalism, stylizations, and memory of Irish dance as it refers to both the practiced repertoire and textual archive of ceili dancing within Ireland and the Diaspora. The researcher examined each iteration of the Ar Rinci Fiorne antecedent and relevant texts the socio-political climate following the Irish Civil War, and the aims of the Gaelic League to determine how the textual archiving through the 2014 edition of “Ar Rinci Foirne'' affected embodied memory of Irish Ceili dancing. Theories of transculturation, ethnography, post-structuralist criticism, archiving with thematic and chronological examination of texts were utilized with a qualitative methodology. Through the intentional inclusion and exclusion of dances, the Ar Rinci Foirne functions as codification and propaganda of Irishness through dance, while systematically altering and erasing embodied memory of ceili dances within Ireland and the Diaspora.   Key words: Irish dance, ceili, ethnography, embodied memory, folk dance.
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检视这本书:感知、力量和练习如何改变爱尔兰Ceili舞蹈的记忆
本文是对arrinci Foirne的权力政治的民族志研究和探索,以及随后在感知民族主义、风格化和爱尔兰舞蹈记忆方面的变化,因为它涉及爱尔兰和流散的ceili舞蹈的实践节目和文本档案。研究人员检查了arrinci Fiorne的每一次迭代的前身和相关文本,爱尔兰内战后的社会政治气候,以及盖尔联盟的目标,以确定2014年版“arrinci Foirne”的文本存档如何影响爱尔兰Ceili舞蹈的具体化记忆。跨文化理论、人种学、后结构主义批评、文本的主题和时间顺序检查存档等理论都被定性方法所利用。通过有意地包容和排斥舞蹈,arrinci forirne通过舞蹈起到编纂和宣传爱尔兰性的作用,同时系统地改变和消除爱尔兰和海外侨民对天花板舞蹈的具体记忆。关键词:爱尔兰舞蹈,天花板舞,民族志,具身记忆,民族舞蹈
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