Landscape and Embodiment in Sylvia Townsend Warner’s Lolly Willowes and The True Heart

H. Baker
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Abstract

The essay contextualises Lolly Willowes and The True Heart in relation to interwar ideas about landscape and ruralism. It argues that the protagonists Laura Willowes and Sukey Bond depart from normative relationships to the English countryside in order to orient themselves more independently in their worlds. It suggests that Warner invests in potentialities of what Sara Ahmed analyses as ‘disorientation’, and that in her nuanced evocations of sexual deviance, landscapes become a prompt for the discursive construction of queer subjectivities.
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西尔维娅·汤森德·华纳的《萝莉·威洛斯》和《真情》中的风景和化身
本文将《洛莉·威洛斯》和《真心》放在一个与两次世界大战之间关于风景和乡村主义的思想有关的语境中。它认为,主人公劳拉·威洛斯和苏基·邦德为了在自己的世界中更加独立地定位自己,离开了英国乡村的规范关系。这表明华纳投资于莎拉·艾哈迈德所分析的“迷失方向”的潜力,并且在她对性偏差的细微唤起中,风景成为酷儿主体性话语建构的提示。
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A Heart on the Sand Mrs Hazlitt’s Divorce Book Review: Sylvia Townsend Warner, English Climate: Wartime stories (London: Persephone Books, 2020; ISBN: 978-1-91026-327-3), with a preface by Lydia Fellgett ‘My Usual Despicable Hold on Life’: The View from Sylvia Townsend Warner’s Diaries (The Sylvia Townsend Warner Society Lecture 2021) Book Review: R.B. Russell and J. Lawrence Mitchell, Sylvia Townsend Warner: A bibliography (Leyburn: Tartarus Press, 2020; ISBN: 979-8-64612-618-5)
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