Pub Date : 2022-06-21DOI: 10.14324/111.444.stw.2021.11
Sylvia Townsend Warner
An essay in which Warner speculates on the character and circumstances of William Hazlitt’s wife Sarah (née Stoddart) during the stay in Scotland from April to June 1822 which was necessary for their divorce to be concluded. Warner draws on Sarah’s Journal of her travels in Scotland.
{"title":"Mrs Hazlitt’s Divorce","authors":"Sylvia Townsend Warner","doi":"10.14324/111.444.stw.2021.11","DOIUrl":"https://doi.org/10.14324/111.444.stw.2021.11","url":null,"abstract":"\u0000An essay in which Warner speculates on the character and circumstances of William Hazlitt’s wife Sarah (née Stoddart) during the stay in Scotland from April to June 1822 which was necessary for their divorce to be concluded. Warner draws on Sarah’s Journal of her travels in Scotland.","PeriodicalId":393913,"journal":{"name":"The Journal of the Sylvia Townsend Warner Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126323530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-21DOI: 10.14324/111.444.stw.2021.13
Sylvia Townsend Warner
A sequence of six poems by Sylvia Townsend Warner dedicated to Valentine Ackland and presumably inspired by some of the antiques in which she started trading in 1952.
西尔维娅·汤森·华纳献给瓦伦丁·阿克兰的六首诗，大概是受到了她1952年开始交易的一些古董的启发。
{"title":"Small Antiques: Six Poems for Valentine Ackland","authors":"Sylvia Townsend Warner","doi":"10.14324/111.444.stw.2021.13","DOIUrl":"https://doi.org/10.14324/111.444.stw.2021.13","url":null,"abstract":"\u0000A sequence of six poems by Sylvia Townsend Warner dedicated to Valentine Ackland and presumably inspired by some of the antiques in which she started trading in 1952.","PeriodicalId":393913,"journal":{"name":"The Journal of the Sylvia Townsend Warner Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133356549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-21DOI: 10.14324/111.444.stw.2021.12
A sequence of five poems by Sylvia Townsend Warner dedicated to Valentine Ackland and dated Easter 1952.
西尔维娅·汤森德·华纳献给瓦伦丁·阿克兰的五首诗，日期为1952年复活节。
{"title":"A Heart on the Sand","authors":"","doi":"10.14324/111.444.stw.2021.12","DOIUrl":"https://doi.org/10.14324/111.444.stw.2021.12","url":null,"abstract":"\u0000A sequence of five poems by Sylvia Townsend Warner dedicated to Valentine Ackland and dated Easter 1952.","PeriodicalId":393913,"journal":{"name":"The Journal of the Sylvia Townsend Warner Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116685496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-21DOI: 10.14324/111.444.stw.2021.10
David Trotter
This lecture draws on published and unpublished material from the 38 notebooks of different sizes, shapes and states of repair archived in the Dorset History Centre to argue that the richly informative diary Sylvia Townsend Warner began to keep in 1927 provides a vital resource for a fuller understanding of the fiction as well as of the life. In particular I aim to demonstrate that melancholy constitutes a defining preoccupation in both. I establish contexts for this preoccupation in Warner’s erudition and in the work of Theodore and Llewellyn Powys, while also proposing some instructive broader parallels with the contemporary writings of Walter Benjamin. Both, for example, took a strong interest in the radical Bohemian culture which flourished in Paris before and during the 1848 revolutions: Summer Will Show (1936), set in that place at that time, is my main literary text. Other expressions of melancholy examined include diary entries concerning two of the cats in Warner’s life and a hitherto unpublished poem provoked by the revival of Valentine Ackland’s affair with Elizabeth Wade White in the summer of 1949.
本讲座从多塞特历史中心保存的38本不同大小，形状和修复状态的笔记本中提取了已出版和未出版的材料，以证明西尔维娅·汤森德·华纳于1927年开始保存的内容丰富的日记为更全面地了解小说和生活提供了重要的资源。我特别想证明的是，忧郁在两者中都是一种决定性的关注。我在沃纳的博学以及西奥多·波伊斯和卢埃林·波伊斯的作品中为这种关注建立了背景，同时也提出了一些与沃尔特·本雅明同时代作品的更广泛的有益的比较。例如，两人都对激进的波西米亚文化有着浓厚的兴趣，这种文化在1848年革命之前和期间在巴黎蓬勃发展:《夏日将展》(Summer Will Show, 1936)以当时的巴黎为背景，是我的主要文学作品。沃纳还研究了其他忧郁的表达方式，包括关于他生活中两只猫的日记，以及1949年夏天瓦伦丁·阿克兰与伊丽莎白·韦德·怀特的恋情重新被提起，引发了一首迄今未发表的诗。
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Pub Date : 2022-06-21DOI: 10.14324/111.444.stw.2021.14
A. Piette
{"title":"Book Review: Sylvia Townsend Warner, English Climate: Wartime stories (London: Persephone Books, 2020; ISBN: 978-1-91026-327-3), with a preface by Lydia Fellgett","authors":"A. Piette","doi":"10.14324/111.444.stw.2021.14","DOIUrl":"https://doi.org/10.14324/111.444.stw.2021.14","url":null,"abstract":"","PeriodicalId":393913,"journal":{"name":"The Journal of the Sylvia Townsend Warner Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126393444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-21DOI: 10.14324/111.444.stw.2021.15
Janet E. Montefiore
{"title":"Book Review: R.B. Russell and J. Lawrence Mitchell, Sylvia Townsend Warner: A bibliography (Leyburn: Tartarus Press, 2020; ISBN: 979-8-64612-618-5)","authors":"Janet E. Montefiore","doi":"10.14324/111.444.stw.2021.15","DOIUrl":"https://doi.org/10.14324/111.444.stw.2021.15","url":null,"abstract":"","PeriodicalId":393913,"journal":{"name":"The Journal of the Sylvia Townsend Warner Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128025423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-10DOI: 10.14324/111.444.stw.2021.7
Lynn Mutti
This article describes the friendship between Sylvia Townsend Warner, Peter Pears and Benjamin Britten in the 1970s. It draws on previously unpublished correspondence held at the Britten-Pears Archive and the Sylvia Townsend Warner and Valentine Ackland Archive. It describes the role that John Craske’s paintings played in establishing the connection between Warner and Pears, details some visits and covers Britten’s illness and death. The article also describes the concert in Warner’s honour planned by Pears and given in Aldeburgh in July 1977.
{"title":"Sylvia Townsend Warner and Peter Pears: Loss and Friendship","authors":"Lynn Mutti","doi":"10.14324/111.444.stw.2021.7","DOIUrl":"https://doi.org/10.14324/111.444.stw.2021.7","url":null,"abstract":"This article describes the friendship between Sylvia Townsend Warner, Peter Pears and Benjamin Britten in the 1970s. It draws on previously unpublished correspondence held at the Britten-Pears Archive and the Sylvia Townsend Warner and Valentine Ackland Archive. It describes the role that John Craske’s paintings played in establishing the connection between Warner and Pears, details some visits and covers Britten’s illness and death. The article also describes the concert in Warner’s honour planned by Pears and given in Aldeburgh in July 1977.","PeriodicalId":393913,"journal":{"name":"The Journal of the Sylvia Townsend Warner Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125743787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-10DOI: 10.14324/111.444.stw.2021.5
Sylvia Townsend Warner
Writing in 1948, Sylvia Townsend Warner takes a sceptical look at recent trends in performances of Hamlet on stage and screen, and also at academic and psychoanalytic discussions of the play.
{"title":"Footsteps on the Battlements","authors":"Sylvia Townsend Warner","doi":"10.14324/111.444.stw.2021.5","DOIUrl":"https://doi.org/10.14324/111.444.stw.2021.5","url":null,"abstract":"\u0000Writing in 1948, Sylvia Townsend Warner takes a sceptical look at recent trends in performances of Hamlet on stage and screen, and also at academic and psychoanalytic discussions of the play.","PeriodicalId":393913,"journal":{"name":"The Journal of the Sylvia Townsend Warner Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129717867","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-10DOI: 10.14324/111.444.stw.2021.2
Sylvia Townsend Warner
This is the second part of a two-part edited presentation of Sylvia Townsend Warner’s unfinished sequel to her 1948 novel The Corner That Held Them. The first part was published in the Sylvia Townsend Warner Journal 2020:1, pp. 8–38. Part 2 continues to describe the early stages of a pilgrimage from England to Jerusalem.
{"title":"The Unfinished Sequel to The Corner That Held Them (Part 2 of 2)","authors":"Sylvia Townsend Warner","doi":"10.14324/111.444.stw.2021.2","DOIUrl":"https://doi.org/10.14324/111.444.stw.2021.2","url":null,"abstract":"\u0000This is the second part of a two-part edited presentation of Sylvia Townsend Warner’s unfinished sequel to her 1948 novel The Corner That Held Them. The first part was published in the Sylvia Townsend Warner Journal 2020:1, pp. 8–38. Part 2 continues to describe the early stages of a pilgrimage from England to Jerusalem.","PeriodicalId":393913,"journal":{"name":"The Journal of the Sylvia Townsend Warner Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126810540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-10DOI: 10.14324/111.444.stw.2021.8
Judith Aronson
{"title":"Book Review: Ian Archie Beck, Through the Lens of Janet Stone: Portraits, 1953–1979 (Oxford: The Bodleian Library, 2018; ISBN: 978-1-85124-259-7)","authors":"Judith Aronson","doi":"10.14324/111.444.stw.2021.8","DOIUrl":"https://doi.org/10.14324/111.444.stw.2021.8","url":null,"abstract":"","PeriodicalId":393913,"journal":{"name":"The Journal of the Sylvia Townsend Warner Society","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116615987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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