Cinema in Tanzania

Abstract

Moving pictures have a long history in Tanzania. The first cinema shows appeared in the region at the turn of the 20th century. Indian entrepreneurs established tent shows before World War I and built permanent cinemas in the interwar period. Colonial officials feared cinema images would undermine their authority and attempted to censor films and segregate audiences. During and immediately following World War II Tanganyika and Zanzibar experienced a boom in cinema building as the popularity of going to the movies soared among urban Africans. Tanzanian audiences developed cosmopolitan tastes, embracing Bollywood actors, Elvis Presley, and Bruce Lee alike. After independence the new Tanzanian government adopted policies that ultimately encouraged the decline of cinema-going as a public leisure activity. Films have been made in Tanganyika and Zanzibar since the first decade of the 20th century. Under German rule, visitors to Tanganyika made ethnographic and wildlife films. After World War I the new British administration in Tanganyika continued to allow commercial and documentary filmmakers to operate in the territory. In the 1930s the British government considered several initiatives to make educational films for African audiences. During World War II the Colonial Office created a film unit to produce and disseminate educational and propaganda films throughout Africa, including in both Tanganyika and Zanzibar. This work continued up until Tanganyika became independent in 1961. After independence the government of the new nation of Tanzania continued producing didactic movies for its citizens. They also made a handful of feature films for commercial distribution. In the 1990s a new video industry emerged in Dar es Salaam, in part inspired by the importation of inexpensive video films from Nigeria. Dubbed “Bongowood,” this new industry has been extremely prolific, producing hundreds of low-budget videos annually. These Swahili-language videos are consumed avidly within the country, as well as in Swahili-speaking areas of neighboring nations, and throughout the Swahili diaspora.