The problematic of tradition and future in art and design education

Emine Nas
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引用次数: 4

Abstract

In recent years, the traditional motifs and conceptual approach to the apparent authenticity of the design quality is observed that used in many areas. In this way, the tradition established in the future synthesis has led to the formation of a free and original design. This synthesis, design resources training in the artistic development of the individual and provide the best research and questioning the reasons that created them.Thus; new ideas to new situations, new problems have emerged in the need to turn to different events and phenomena. This method and the proliferation of studies aimed at the promotion of Turkish cultural heritage is undoubtedly will be at the forefront of higher quality products.The suggestions of ‘interpreting the traditional designs’ and the comprehension of what is ‘traditional’, which are proposed by some academics and designers are evaluated with a critical approach. The subject is examined within the frame of traditionalist suggestions offered from the time of the Ottomans till today, with the conceptions of the Western science, culture, art and design developed through the period of the Industrial Revolution. Keywords: Design; Education; Tradition; Problem
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艺术设计教育的传统与未来问题
近年来,传统的主题和概念的方法,以明显的设计质量的真实性被观察到,在许多领域使用。这样,在未来的综合中建立的传统导致了自由和原创设计的形成。这种综合、设计资源的训练,在个人的艺术发展上提供了最好的研究和质疑,创造了它们的原因。新思想对新情况、新问题的出现需要转向不同的事件和现象。这种方法和研究的扩散旨在促进土耳其文化遗产无疑将是更高质量的前沿产品。对一些学者和设计师提出的“解读传统设计”和对“传统”的理解的建议进行批判性的评价。这个主题是在传统主义的框架内进行研究的,从奥斯曼时代到今天,西方科学、文化、艺术和设计的概念在工业革命时期得到了发展。关键词:设计;教育;传统;问题
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