“She is Present in Offstage, Absent in Mainstream”- Unheard Voices of Women in Shrilal Shukla's Raag Darbari

Keshav Goyal
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Abstract

This work seeks to constitute the unexplored area in Shrilal Shukla's Raag Darbari, which is the lack of representation and absent female voices in the novel, by looking at the liminality of their participation in the larger rubric of politics, education and economics etc. The research examines the ‘subjectivity and positioning of women’, which is in contrast to the delineation of the male voices in the novel. The work diverges from the current readings of the text, which focuses on the satirical aspect of the novel. The paper accentuates on the autonomy of women and their indulgence in the role play of the novel by locating them within the corpus of Anchalik Literature. The paper is doing textual analysis by aid of feminist reading of the novel. The task is accomplished, keeping in mind the Feminist Mystique theory of Betty Friedan and Patricia Collins and Dorothy Smith’s Feminist Standpoint Theory. The main findings of the research demonstrate the urgency of issue where feminine ideals of women are completely out of the picture. The larger concern of this paper not only focuses on the objectivity of women but also their subjectivity. As a result, the research shifts the lens of looking at it from satirical framework to inherent gender struggles in the narrative.
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“她在幕后,在主流中缺席”——shilal Shukla的《Raag Darbari》中未被听到的女性声音
这部作品试图构建shilal Shukla的《Raag Darbari》中未被探索的领域,即小说中缺乏代表性和女性声音的缺失,通过观察她们在政治,教育和经济等更大范围内的参与的限制。该研究考察了“女性的主体性和定位”,这与小说中对男性声音的描绘形成了对比。这部作品不同于目前对小说文本的解读,后者侧重于小说的讽刺方面。本文强调了女性的自主性和她们在小说角色扮演中的放纵,并将她们定位在安恰利克文学的语料库中。本文通过对小说的女性主义解读来进行文本分析。记住贝蒂·弗里丹和帕特里夏·柯林斯的女权主义神秘主义理论以及多萝西·史密斯的女权主义立场理论,任务就完成了。该研究的主要发现表明,女性理想完全被排除在外的问题迫在眉睫。本文更大的关注点不仅在于女性的客观性,还在于她们的主体性。因此,本研究将视角从讽刺的框架转向叙事中固有的性别斗争。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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