The 1860s

Abstract

On his return from Leipzig, Arthur Sullivan earned his living as a church organist while making his way as a composer of anthems and serious orchestral works. In the mid-1860s he began a close, life-long friendship with George Grove, founder of the music dictionary which still bears his name and a leading Biblical scholar. As well as promoting Sullivan’s music and securing its performance at the Crystal Palace, Grove introduced him to leading figures in the world of Victorian culture and religion, and influenced his spiritual development and beliefs. He also played a key role in Sullivan’s first and rather tortuous love affair. The death of Sullivan’s father inspired his In Memoriam overture and he put much of his own faith into his first oratorio, The Prodigal Son (1869), which drew on an eclectic selection of Biblical texts and emphasized the themes of repentance, forgiveness, and reassurance that would recur in many of his sacred works.