{"title":"Intuitive Sensory Presentiation and Recollection","authors":"Helena Simonett","doi":"10.1093/oxfordhb/9780190693879.013.10","DOIUrl":null,"url":null,"abstract":"Based on ethnographic work among Indigenous people of northwestern Mexico and on Martin Heidegger’s philosophical writings on being and time, this chapter addresses the phenomenon of human-animal transformation as practiced by the Yoreme. Music and song evoke memories of other temporalities and experiences of transcendence and, thus, help skilled deer dancers to become the animal, a transformation that is perceived as real, not as symbolic. By opening themselves up to juyia annia (the enchanted world of the deer), the dancers are able to re-enactively engage with the mythological past. For Yoreme, this past is not what Robert Torrance would call an “inertial inheritance”; rather, it is constitutive of the future. For the community members present in the ceremonial fiesta, the dancer’s presentiation and remembrance of the deer world opens up a new possibility for human existence and allows them to understand themselves as a distinct people.","PeriodicalId":346000,"journal":{"name":"The Oxford Handbook of the Phenomenology of Music Cultures","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-09-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Oxford Handbook of the Phenomenology of Music Cultures","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oxfordhb/9780190693879.013.10","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Based on ethnographic work among Indigenous people of northwestern Mexico and on Martin Heidegger’s philosophical writings on being and time, this chapter addresses the phenomenon of human-animal transformation as practiced by the Yoreme. Music and song evoke memories of other temporalities and experiences of transcendence and, thus, help skilled deer dancers to become the animal, a transformation that is perceived as real, not as symbolic. By opening themselves up to juyia annia (the enchanted world of the deer), the dancers are able to re-enactively engage with the mythological past. For Yoreme, this past is not what Robert Torrance would call an “inertial inheritance”; rather, it is constitutive of the future. For the community members present in the ceremonial fiesta, the dancer’s presentiation and remembrance of the deer world opens up a new possibility for human existence and allows them to understand themselves as a distinct people.