Aesthetic, Art-Historical and Economic Values in Painting: Empirical Study

I. Mandel
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引用次数: 1

Abstract

Three different types of data are analyzed together for the first time: technical and economic characteristics of the works of one hundred artists (19-20th centuries) from the auctions database, scores of art-historical values of these painters by C. Murray and aesthetic estimates collected via specially designed website PollArt1000. The short survey of the contemporary art was performed to test some findings on another material. Comprehensive statistical analysis of that data presented, which resulted in scoring of best and worst works, establishing correlations between many variables, typology or respondents and more. The conclusions quantify different relationship between many important aspects of art as a social phenomenon, such as a power low distribution for prices; novel models of aesthetic and art prices; complex relations between prices and aesthetic variables and others. Particularly, it is shown that that tastes of people are inclined to figurative and innovational rather than to abstract and conceptual art. A lot of pictures illustrate this and other findings.
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绘画的美学、艺术史和经济价值:实证研究
本文首次分析了三种不同类型的数据:来自拍卖数据库的100位艺术家(19-20世纪)作品的技术和经济特征,C. Murray对这些画家的艺术历史价值评分,以及通过专门设计的网站PollArt1000收集的美学评估。对当代艺术进行简短的调查是为了检验在另一种材料上的一些发现。对所呈现的数据进行全面的统计分析,得出最佳和最差作品的评分,在许多变量、类型或受访者等之间建立相关性。结论量化了艺术作为一种社会现象的许多重要方面之间的不同关系,例如价格的权力分配;审美与艺术价格的新模式;价格与审美变量等之间的复杂关系。特别是,人们的品味倾向于具象和创新,而不是抽象和观念艺术。很多图片都说明了这一点和其他发现。
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