LA CULTURA IN LOMBARDIA NELL’ETÀ TERESIANA

G. Gaspari
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Abstract

The first half of the 18th century, in a way, is a period of preparation, ending with two facts that will soon acquire a considerable symbolic significance: the death of Ludovico Antonio Muratori and the Treaty of Aix-la-Chapelle. In Milan, Muratori’s legacy mainly lies in the historical studies, but it can also be seen in the project of an increasingly strong interaction between culture and society. The new intellectual generation, gathering around the periodical “Il Caffè”, adds to what Muratori had taught the explosive mixture of novelties from the transalpine countries, first of all, Diderot and d’Alembert’s Encyclopédie, and the revolutionary place it gives to ‘practice’ within the hierarchy of knowledge. “Il Caffè”, and works such as On Crimes and Punishments, Meditations on Happiness, and Observations on Torture, but even Parini’s civil poetry, hand down to the following century a multifarious reflection on justice, social coexistence, and improvement of mankind, which will become deeply rooted in the collective consciousness, thus reducing the 17th-century gap between Italy and Europe regarding science.
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特里斯时代的伦巴第文化
在某种程度上,18世纪上半叶是一个准备时期,以两件很快将具有相当象征意义的事实结束:卢多维科·安东尼奥·穆拉托里之死和艾克斯-拉-小教堂条约。在米兰,穆拉托里的遗产主要体现在历史研究上,但也体现在文化与社会之间日益强烈的互动项目上。聚集在期刊“Il Caffè”周围的新一代知识分子,为穆拉托里教授的跨高山国家的新奇事物增添了爆炸性的混合,首先是狄德罗和达朗贝尔的《百科全书》,以及它在知识层次中赋予“实践”的革命性地位。“Il Caffè”,以及诸如《罪与罚》、《幸福沉思》和《酷刑观察》等作品,甚至帕里尼的民间诗歌,都将对正义、社会共存和人类进步的各种反思传承到下一个世纪,这些反思将深深植根于集体意识中,从而缩小了17世纪意大利与欧洲在科学方面的差距。
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