Editing Shadows

M. Burden
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引用次数: 2

Abstract

Since its first publication in 1806, Lucy Hutchinson’s Memoirs of the Life of Colonel Hutchinson has been praised for its sensitive political analysis and its literary excellence. However, both these features are editorial constructions which conceal aspects of the text’s revolutionary energy and smooth over its syntactical rough edges. The beginnings of this process may be viewed in the manuscript annotations of Hutchinson’s nephew, the text’s early custodian, whose response to the growing tide of anti-regicide literature was to conceal his aunt’s republican writings from public view. The main responsibility for reshaping Hutchinson’s prose and injecting a Whiggish flavour into the text was Julius Hutchinson the younger, the text’s first editor. His work formed the basis of all nineteenth-century editions, but eventually led to a bifurcation in Hutchinson scholarship between those who emphasized the text’s feminine literary qualities, and those who questioned its authority as a historical record.
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编辑的阴影
自1806年首次出版以来,露西·哈钦森的《哈钦森上校回忆录》就因其敏感的政治分析和卓越的文学创作而备受赞誉。然而,这两个特征都是编辑结构,它们掩盖了文本的革命能量,并平滑了其语法粗糙的边缘。这一过程的开始可以从哈钦森的侄子的手稿注释中看到,他是文本的早期保管人,他对日益增长的反弑君文学浪潮的反应是将他姑姑的共和作品隐藏在公众视野之外。重新塑造哈钦森的散文,并在文本中注入辉格风格的主要责任是小朱利叶斯·哈钦森,文本的第一位编辑。他的作品构成了19世纪所有版本的基础,但最终导致了哈钦森学者的分歧,一些人强调文本的女性文学特质,另一些人质疑其作为历史记录的权威。
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In Good Company Editing Shadows
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