“I’m a Kinaidos and Don’t Deny It”

Tom Sapsford
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Abstract

This chapter explores the materiality of the kinaidos, i.e., whether any real-life individuals existed who were identified using, or themselves identified with, this term as a category marker. It centers this debate around evidence from Ptolemaic and Roman Egypt, where the word kinaidos appears on several papyri, two temple inscriptions, and one ostracon. By comparing these sources with literary evidence (Herodas’ second mimiamb), other papyri, inscriptions, as well as graffiti from around the Roman world, it demonstrates that actual people were given and took on this identity. Moreover, in several cases kinaidos designates an occupational category whose bearers undertook some form of performance accompanied by flute playing. However, it also points out some of the limits in analyzing this evidence—in particular, the problems which arise in interpreting the scant and often damaged papyri and the difficulties in determining precisely how these individuals might have performed.
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“我是kinaido,不要否认”
本章探讨了kinaidos的物质性,也就是说,是否有任何现实生活中的个人使用这个术语作为类别标记来识别,或者他们自己认同这个术语。它围绕着托勒密和罗马埃及的证据展开辩论,在那里,“kinaidos”这个词出现在几张纸莎草纸上,两个神庙铭文和一个ostracon上。通过将这些资料与文学证据(希罗达的第二个mimiaman),其他纸莎草纸,铭文以及来自罗马世界的涂鸦进行比较,可以证明真实的人被赋予并接受了这种身份。此外,在一些情况下,kinaidos指定了一种职业类别,其持有者在演奏长笛的同时进行某种形式的表演。然而,它也指出了分析这些证据的一些局限性,特别是在解释稀少且经常损坏的纸莎草纸时出现的问题,以及准确确定这些人的行为方式的困难。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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