Austria and Hungary at the 1904 St. Louis World’s Fair: A Hint of the End

Samuel D. Albert
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Abstract

This article examines the Austrian participation at the 1904 St. Louis World’s Fair, focusing particularly on the display of art. Spread across two venues, the Austrian Pavilion and the Palace of Fine Arts, the display, with contributions from the Mánes Association of Fine Artists, Society of Polish Artists “Sztuka,” the Hagenbund, and the Vienna Künstlergenossenschaft illustrates the changes taking place in Cisleithanian art at the time, with the emergence and increased recognition of nationally organized art societies, whose very existence questioned the long-standing supremacy of Vienna art institutions. A further contrast is made with the Hungarian art exhibition at the same fair. Unlike the Austrian exhibit, housed in its own free-standing exhibition space, the much more modest Hungarian exhibit was divided in two. Fine arts were displayed in the Palace of Fine Arts, while decorative arts and crafts were displayed in a pavilion built inside of the exhibition hall. The author ends by contrasting the 1904 exhibition spaces with those of the 1900 Paris exhibition.
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奥地利和匈牙利在1904年圣路易斯世界博览会上:结束的暗示
这篇文章考察了奥地利在1904年圣路易斯世界博览会上的参与,特别关注艺术的展示。展览横跨奥地利馆和艺术宫两个场馆,由Mánes美术协会、波兰艺术家协会“Sztuka”、Hagenbund和维也纳艺术协会协会(Vienna knstlergenossenschaft)赞助,展示了当时西莱塔尼亚艺术发生的变化,随着国家组织的艺术协会的出现和越来越多的认可,这些协会的存在对维也纳艺术机构长期以来的至高无上地位提出了质疑。与同一展会上的匈牙利艺术展形成了进一步的对比。与奥地利的展览不同的是,匈牙利的展览被分成了两个部分,而奥地利的展览有自己独立的展览空间。美术品在美术宫展出,而装饰艺术品和工艺品则在展厅内建造的亭子里展出。作者最后将1904年的展览空间与1900年的巴黎展览空间进行了对比。
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