Book Review: Museums, Infinity and the Culture of Protocols: Ethnographic Collections and Source Communities

B. Clements
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引用次数: 2

Abstract

In Museums, Infinity, and the Culture of Protocols: Ethnographic Collections and Source Communities, Howard Morphy expands the idea of the “universal museum” into the “infinite museum.” Because museums have stakeholders who exist around the world and into the distant future, he argues, they are mandated to perpetually preserve collections and collections access. Morphy identifies repatriation and access protocols as threats to museum mandates and the rights of future stakeholders. In this review I will restrict myself to one of several potential discussions of this work: that Morphy’s account does not take the roles of Indigenous sovereignties seriously enough, thus undermining them as bases for heritage governance. Morphy begins by reflecting on his life in museums, from his boyhood fascination with displays at the Pitt Rivers Museum to his professional roles there as a collector, curator, and anthropologist. Then, in the second and third chapters, he lays out an history of anthropological museum collecting to argue that ethnographic museums promote global appreciation for Indigenous cultures. This history, he believes, originated in colonial violence but shifted to anthropological contexts formed by Indigenous agency, partnership, and—increasingly—collaboration. In the fourth chapter, Morphy makes his case for preserving the remains of ancient Indigenous ancestors in museum collections for research. Here he outlines the implications of his “infinity perspective” for the definition and agency of stakeholder groups.1 In the case of reburial for ancestors and their grave goods, “the wish of a particular group to destroy an object may be framed as a denial of the rights of future generations to have a say in the decision and to have access to the objects themselves.”2 Morphy argues in his penultimate chapter for the importance of open access to museum collections. He sees open access as resolving the inequities of cultural gatekeeping and warns that movements toward repatriation and respecting sometimes restrictive protocols “result in the information
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书评:博物馆,无限和协议的文化:民族志收藏和来源社区
在《博物馆、无限和协议文化:民族志收藏和资源社区》一书中,霍华德·莫菲将“通用博物馆”的概念扩展为“无限博物馆”。他认为,因为博物馆的利益相关者遍布世界各地,甚至在遥远的未来,他们有义务永久保存藏品和藏品的访问。Morphy认为遣返和访问协议是对博物馆授权和未来利益相关者权利的威胁。在这篇评论中,我将把自己限制在这项工作的几个潜在讨论之一:Morphy的描述没有足够认真地对待土著主权的角色,从而破坏了它们作为遗产治理基础的作用。Morphy首先回顾了他在博物馆的生活,从他童年对皮特里弗斯博物馆展览的迷恋到他在那里作为收藏家、策展人和人类学家的职业角色。然后,在第二章和第三章中,他列出了人类学博物馆收藏的历史,以论证民族志博物馆促进了全球对土著文化的欣赏。他认为,这段历史起源于殖民暴力,但转移到由土著代理、伙伴关系以及越来越多的合作形成的人类学背景中。在第四章中,Morphy提出了将古代土著祖先的遗骸保存在博物馆以供研究之用的理由。在这里,他概述了他的“无限视角”对利益相关者群体的定义和代理的影响在重新埋葬祖先和他们的坟墓物品的情况下,“一个特定群体想要摧毁一件物品的愿望可能会被认为是否认后代在决定中有发言权和接触这些物品本身的权利。”Morphy在书的倒数第二章论述了开放博物馆藏品的重要性。他认为开放访问解决了文化把关的不公平,并警告说,遣返和尊重有时限制性协议的运动“会导致信息泄露”
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