The Nazi’s Mummy: The Afterlife of a Woman from Taltal

Avigail Rotbain
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Abstract

In this article, I highlight the insights gained by tracing the biography of one single object in the museum collection: a mummified woman. Her trajectory is followed from her original resting place in present-day Taltal, Chile, to the University of Kiel in Germany, and finally to the National Museums of World Culture in Gothenburg, Sweden. The article discusses how the woman has been traded as a collectors’ item and research commodity, and how she has been exhibited at the museum. By mapping the afterlife of the mummified woman from Taltal, we can discuss effective methods for conducting provenance research at collection-based institutions. Additionally, we can examine the lingering remnants of controversial ideologies within these collections and how they are addressed today. Moreover, the article aims to underscore the challenging disparity between personal knowledge and documented knowledge within museums.
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纳粹的木乃伊塔尔塔尔女人的来世
在这篇文章中,我重点介绍了通过追溯博物馆藏品中的一件文物--一具女性木乃伊--的生平所获得的启示。文章追溯了她的轨迹,从她最初安息的地方--今天的智利塔尔塔尔,到德国基尔大学,最后到瑞典哥德堡的世界文化国家博物馆。文章讨论了这位女性是如何作为收藏品和研究商品进行交易的,以及她是如何在博物馆展出的。通过描绘塔尔塔尔女人木乃伊的来世,我们可以讨论在收藏机构开展来源研究的有效方法。此外,我们还可以研究这些藏品中残留的有争议的意识形态,以及今天如何处理这些意识形态。此外,文章旨在强调博物馆内个人知识与文献知识之间具有挑战性的差异。
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