Evolution of the display of high technologies and social networks in the «terminator» universe in 1984-2022

K. Kasparyan, M. Rutkovskaya, A. S. Linets
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Abstract

The article is devoted to a comprehensive analysis of the transformation of the reflection of computer technologies and network resources in the Terminator cinematic and literary universe created by the American director J. Cameron in the mid 1980s and early 2020s. In this study the authors substantiate the relevance and scientific component of the problem under study. The paper considers the degree of importance of high technologies and social networks in modern public life. The article provides a justification for the fallacy of the judgment, according to which works of fiction of a fantastic orientation perform purely entertaining function and do not carry a significant semantic load. This article also provides an argument for choosing the Terminator fantastic universe as an example for research, wit an analysis of the reasons for its great popularity and high degree of significance for contemporary art. The authors of the work subject the key components of the topic under consideration to reflection, taking into account the changes that have taken place in the public consciousness over three and a half decades, takin inti account the differences in historical and political realities – from the last quarter of the 20-th century to the present, until the beginning of the third decade of the XXI century. This article provides a comparative analysis of the reasons for significant differences in the display of high technology and online resources in cinema and fiction. The work draws parallels and analogies with historical events, analyzes the use of the religious meanings used in the Terminator universe. The authors of the article analyze the moral issues that are raised by the creators of the fantastic universe of Terminator in the context of the positive and negative consequences of the intense growth of the role of high technologies and communicative Internet sites in the life of human society.
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1984-2022年“终结者”宇宙中高科技和社会网络展示的演变
本文综合分析了20世纪80年代中期和20世纪20年代初美国导演j·卡梅隆创作的《终结者》电影和文学世界中计算机技术和网络资源的反映的转变。在这项研究中,作者证实了所研究问题的相关性和科学成分。本文考虑了高科技和社会网络在现代公共生活中的重要性。本文为判断谬误提供了一个理由,根据这个理由,幻想取向的小说作品只具有娱乐功能,不承担重大的语义负荷。这篇文章也为选择终结者奇幻宇宙作为研究的例子提供了论据,并分析了它如此受欢迎和对当代艺术具有高度意义的原因。本书的作者们考虑到过去35年来公众意识中发生的变化,考虑到从20世纪的最后25年到现在,直到21世纪的第三个十年开始,历史和政治现实的差异,对正在考虑的主题的关键组成部分进行了反思。本文对比分析了电影和小说在高科技和网络资源的展示上存在显著差异的原因。这部作品与历史事件进行了对比和类比,分析了终结者宇宙中使用的宗教含义。这篇文章的作者分析了终结者的奇妙宇宙的创造者提出的道德问题,在高技术和交流互联网网站在人类社会生活中作用的强烈增长的积极和消极后果的背景下。
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