{"title":"Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002)","authors":"","doi":"10.7560/752894-006","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":369293,"journal":{"name":"Blossoms and Blood","volume":"38 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2013-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blossoms and Blood","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/752894-006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}