Acting in virtual reality

M. Slater, J. Howell, A. Steed, David-Paul Pertaub, Maia Garau
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引用次数: 96

Abstract

Three pairs of professional actors and a director each met in a shared non-immersive virtual reality system over a two-week period to rehearse a short play. The actors and director never met one another physically until a short time before a live rehearsal in front of an audience. The actors were represented by avatars which could be controlled to make a range of facial expressions, and some body movements, including navigation through the space. The study examined the extent to which virtual reality could be used by the actors and director to rehearse their later live performance. Four indicators captured by questionnaires show that over the period of the four days their sense of presence in the virtual rehearsal space, their co-presence with the other actor, and their degree of cooperation all increased. Moreover their evaluation of the extent to which the virtual rehearsal was similar to a real rehearsal also increased. Debriefing sessions with the actors and director are reported, which suggest that a performance level was reached in the virtual rehearsal which formed the basis of a successful live performance.
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在虚拟现实中表演
在为期两周的时间里,三对专业演员和一名导演在一个共享的非沉浸式虚拟现实系统中会面,排练一出短剧。演员和导演从来没有见过面,直到在现场排练前的一小段时间,在观众面前。这些演员是由虚拟人物来代表的,这些虚拟人物可以通过控制做出一系列的面部表情和一些身体动作,包括在空间中导航。该研究考察了演员和导演在排练后期现场表演时,虚拟现实技术的应用程度。问卷调查的四个指标显示,在四天的时间里,他们在虚拟排练空间中的存在感,他们与其他演员的共同存在感以及他们的合作程度都有所增加。此外,他们对虚拟排练与真实排练相似程度的评价也有所提高。据报道,与演员和导演的汇报会议表明,在虚拟排练中达到了一个表演水平,这是成功的现场表演的基础。
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