Alyce Cardoso Campos, Rita De Cássia Leal Campos, Gustavo Nunes Maciel, Daniel Carvalho de Rezende
{"title":"\"This is music!”","authors":"Alyce Cardoso Campos, Rita De Cássia Leal Campos, Gustavo Nunes Maciel, Daniel Carvalho de Rezende","doi":"10.12712/RPCA.V15I3.50686","DOIUrl":null,"url":null,"abstract":"This research aimed to understand how elitist thinking takes place regarding music consumption in Brazil. Fifteen music professionals were interviewed, as they were considered individuals with high cultural capital in the subject. The results showed that, although cultural elitism in relation to music is on the way to being softened, it is still very present in Brazilian society, being strongly supported by cultural and social issues. Even if implicitly, a notion of good and bad musical taste can be observed from the (de)valuation of certain musical styles, especially by people professionally involved in the musical world.","PeriodicalId":344601,"journal":{"name":"Revista Pensamento Contemporâneo em Administração","volume":"12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Pensamento Contemporâneo em Administração","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12712/RPCA.V15I3.50686","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This research aimed to understand how elitist thinking takes place regarding music consumption in Brazil. Fifteen music professionals were interviewed, as they were considered individuals with high cultural capital in the subject. The results showed that, although cultural elitism in relation to music is on the way to being softened, it is still very present in Brazilian society, being strongly supported by cultural and social issues. Even if implicitly, a notion of good and bad musical taste can be observed from the (de)valuation of certain musical styles, especially by people professionally involved in the musical world.