‘They Don’t Make Anything Like They Used To’: Visual, Narrative, and Ideological Nostalgia for the West(ern) in Westworld (2016)

Stefan Schubert, E. Ravizza
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Abstract

ABSTRACT In this article, we examine the first season of HBO’s TV show Westworld (2016-present) to analyse whether and how it imagines the American West nostalgically. From the perspective of (American) literary and cultural studies, we introduce a concept of nostalgia as a cultural style that understands nostalgia as situated on a continuum, as potentially located on a cultural artefact or text’s (audio)visual, narrative, and ideological levels, and as detectable in what we call that text’s ‘nostalgic affordances.’ This conceptualisation then allows us to argue for Westworld’s first season as visually more nostalgic and narratively less so, which culminates in an ideologically ambivalent sentiment towards nostalgia for the West(ern). Overall, our approach moves away from generalised, binary judgements of texts as either nostalgic or not and instead suggests a more complex perspective on the minute details of how exactly an artefact can exhibit (a specific kind of) nostalgia, a framework that can be extended to analyses of other pop-cultural imaginations of the West as well.
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《西部世界》(2016):“他们不再像过去那样制作任何东西”:对西部的视觉、叙事和意识形态怀旧
本文以HBO的美剧《西部世界》(2016年至今)第一季为研究对象,分析它是否以及如何对美国西部进行怀旧想象。从(美国)文学和文化研究的角度来看,我们引入了怀旧的概念,将其作为一种文化风格,将怀旧理解为位于连续体上,可能位于文化文物或文本的(音频)视觉,叙事和意识形态层面,并且可以在我们称之为文本的“怀旧支持”中检测到。“这种概念化让我们认为《西部世界》第一季在视觉上更怀旧,而在叙事上则不那么怀旧,这最终导致了一种意识形态上的矛盾情绪,即对西部的怀旧。”总的来说,我们的方法远离了对文本是否怀旧的概括、二元判断,而是提出了一种更复杂的视角,即一件人工制品如何准确地表现出(一种特定类型的)怀旧,这一框架也可以扩展到对西方其他流行文化想象的分析。
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