The dialectic relationship between poetry and philosophy for Western philosophers and Arab poets, "An Epistemological Study"

Abdelkarim AMIN MOHAMED SOLIMAN
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Abstract

The dialectic relationship between poetry and philosophy is both an old and modern problem, as it is originally related to the dispute about the type of knowledge that a person needs, is it the knowledge of physical issues, or the external, sensory issues of existence? It is also related to determining the source of human knowledge. Is it the pure mind or the senses? Are we being driven behind logic and arithmetic, or behind imagination and conscience? These questions represented the starting point for the disagreement between philosophers and poets about the nature of the relationship between poetry and philosophy, and this debate began with Plato's expulsion of poets from his republic, where he saw that poets are imitators, and that poetry is a harmful art, which the righteous states must get rid of, as Plato affirmed the oldness of this conflict and transfered to us forms of it. This study deals with the attitude of ancient Greek philosophy (Plato and Aristotle) and modern Western philosophy (Friedrich Nietzsche and Martin Heidegger) towards poetry, as well as the position of Arab poets on the dialectic relationship between poetry and philosophy, and the effect of that on poetry. The study consists of an Introduction and two parts, namely: The first part: the attitude of philosophy towards poetry, and includes two topics: The attitude of ancient Greek philosophy towards poetry, and the attitude of modern Western philosophy towards poetry. The second part: the attitude of the Arabic poetry towards the relationship between poetry and philosophy, and it includes two topics: Poets who reject the existence of a relationship between poetry and philosophy and Poets who support the existence of a relationship between poetry and philosophy.
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西方哲学家与阿拉伯诗人诗歌与哲学的辩证关系,“认识论研究”
诗与哲学的辩证关系既是一个古老的问题,也是一个现代的问题,因为它最初涉及到关于人所需要的知识类型的争论,是物理问题的知识,还是外在的、感官的存在问题?它还与确定人类知识的来源有关。是清心还是感官?我们是被逻辑和算术所驱使,还是被想象力和良知所驱使?这些问题代表了哲学家和诗人之间关于诗歌和哲学之间关系本质的分歧的起点,这场争论始于柏拉图将诗人驱逐出他的共和国,在那里他看到诗人是模仿者,诗歌是有害的艺术,正义的国家必须摆脱它,因为柏拉图肯定了这种冲突的古老性,并将其形式转移给我们。本研究探讨了古希腊哲学(柏拉图、亚里士多德)和现代西方哲学(尼采、海德格尔)对诗歌的态度,以及阿拉伯诗人对诗歌与哲学辩证关系的立场,以及这种关系对诗歌的影响。本研究由导论和两个部分组成,即:第一部分:哲学对诗的态度,包括古希腊哲学对诗的态度和现代西方哲学对诗的态度两个主题。第二部分:阿拉伯诗歌对诗与哲学关系的态度,包括两个主题:反对诗与哲学关系存在的诗人和支持诗与哲学关系存在的诗人。
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