Getting Better: Children’s Literature Theory and the It Gets Better Project1

Derritt Mason
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Abstract

This chapter considers Dan Savage and Terry Miller’s It Gets Better project, an anti-bullying YouTube campaign that launched in 2010 following a rash of queer youth suicides, and argues that this project is a site of convergence for children’s literature and adult fictions. Mason suggests that the circulation and adaptation of cultural texts like It Gets Better across and through multiple genres—what he refers to, after Kathryn Bond Stockton, as a text and/or genre’s “sideways growth”—challenge critics to widen their theoretical lenses for the study of young people’s texts and culture. The book version of It Gets Better engages in a repetitive anxious rehearsal of its own metanarrative of “getting better” and renders the project (im)possible, Mason argues, drawing on Jacqueline Rose’s The Case of Peter Pan. While It Gets Better fails politically, it succeeds nonetheless at generating critical cultural discourse about how adults address queer youth.
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变好:儿童文学理论和它变好项目
本章讨论了Dan Savage和Terry Miller的It Gets Better项目,这是一个反欺凌的YouTube活动,在2010年一系列酷儿青年自杀事件之后发起,并认为这个项目是儿童文学和成人小说的融合网站。梅森认为,像《It Gets Better》这样的文化文本的流通和改编跨越了多种体类——他以凯瑟琳·邦德·斯托克顿(Kathryn Bond Stockton)的名字命名,称之为文本和/或体类的“横向增长”——挑战了评论家们拓宽理论视角,以研究年轻人的文本和文化。梅森认为,书中版本的《变得更好》对自己的元叙事“变得更好”进行了反复的焦虑排练,并使这个项目(不)成为可能,借鉴了杰奎琳·罗斯的《彼得潘的故事》。虽然《变得更好》在政治上失败了,但它成功地引发了关于成年人如何对待酷儿青年的批判性文化话语。
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